In some of my remixes I like to slice vocals that I then drop into impact to create what we call “vox lox” to build new lines, for example that was a centerpiece of my Kim Wilde Kids In America remix. The ATOM is perfect when I want to jam with drums or synth shots. It’s perfect for fortunate accidents! I come up with ideas I wouldn’t get from a keyboard. With a mouse it’s also achievable, but it’s more cerebral it’s laser focused, and less expressive. It’s a different experience, and the decisions I’m making helped me to assign a more prominent role to sounds buried in a mix, with fingers on all faders I’m sorta painting a sonic picture based on my impression. The FaderPort 16 is giving me the gestures I’m used to when balancing tracks on a console the vibe is based on even relationships between instruments. I have a rock-solid PreSonus eco-system based around a Quantum 2, FaderPort 16, and ATOM, nothing superfluous-they all have a purpose. Somehow connect the dots between timelines in a unified story, with its joyful and bonkers moments, with its own directions and contradictions, or more simply put: my story. My 18-track album was recorded in various places such as Brisbane (Australia), Tel Aviv, Mallorca, Brussels, Los Angeles, Dublin, Katowice (Poland), and Baton Rouge (USA).īesides my emotional motivation to get this project done, I really wanted this record to connect genres, eras, and mix generations. It has sounds for here and now, rooted in decades of influences and experiences.įeaturing successful collaborations with Kevin Godley (10 CC, Godley & Creme), model Roxy Horner, Nick Tart (Diamond Head), Rachael & James Akin (EMF), Lucy Pullin (The Isle of Man, Robbie Williams), Melanie Taylor, Flora, Phat Hat. Luke: I’m a producer / composer and mixing engineer best known for my remixes for Kylie Minogue (a Grammy-nominated Billboard #1), The Killers, Robbie Williams, Bob Marley and Amy Winehouse–to name but a few–I just produced Twenty Five Ten, an album in homage to my late mother.
Studio one twenty software#
Suarez may believe in police reform, but he also wants to be Commissioner, and Regina may have had enough of him putting his political ambitions first.We’re extremely excited for our good friend and recording artist Luke Mornay on the release of his new album Twenty Five Ten which has already grabbed a 5-Star review on New Sounds UK! Let’s find out more about what he’s been up to with this project as a longstanding user of PreSonus hardware and software for his musical endeavors through the years. That could make Regina feel that Suarez isn't truly on her side. Suarez has vowed not to allow Sharpe to run the police department, but will he stick to it? He often backs Sharpe's desires over REgina's when there's a conflict. Mayor Sharpe might object strenuously to Regina putting a ton of resources into the death of a homeless man, especially if he's concerned about crime rates in wealthier areas. The mayor often wants the cops to focus on crime against wealthy constituents instead of the low-income people who live in the neighborhood. It's unclear what prompts this argument, but could it have to do with the main case of the hour, which involves a dead homeless man?Īccording to spoilers, the 7-4 faces "unexpected challenges" while investigating this suspicious death. Suarez's decision to deny her ability to transfer a problematic officer to day shifts where she could keep an eye on him earned him glares and an aggravated comment but not much else, and she's forgiven more than one sound byte that caused trouble for the 7-4.īut this time, she may have come to the end of her rope! A clip in the spoiler video suggests she doesn't accept Suarez's explanation of the importance of political alliances - she tells him those decisions might be costing him friendships. Regina's been friends with Suarez enough times, and she's let a LOT go.
He'll stop or slow walk policies that are unpopular with the brass, even if they are exactly what neighborhood residents want or need. Still, Suarez's tendency to swing too much toward the political side often leaves Regina feeling undermined.
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